Baby Driver

Baby doesn’t talk much. He’s constantly hooked up to his iPod that pumps out tunes selected to suit his moods, prompting one character in Baby Driver to ask “Is he retarded?” about the young kid getaway driver named Baby (Ansel Elgort), in this adrenalin rush, pulse pounding heist thriller with a shuffle mix beat. 

Another character replies in his defense “Retarded means slow. Is he slow?” From what we’ve just witnessed in the opening sequence of the film, Baby is anything but slow. In fact Baby is a maniac behind the wheel. Baby Driver is so fast it will make your head spin with delight.

It’s a careening frenetic fun ride that hits all the right notes literally with a wall-to-wall soundtrack that inspires the action sequences and car chases in a way that we’ve never quite seen before. Edited almost exactly to the beat of the music, Baby Driver is precisely choreographed to the action with an eclectic mix of Rock, Funk and Hip Hop songs as heard through Baby’s iPod and stolen car radios.

Baby learned how to drive like no one else after his parents were killed in a car accident when he was little, with him being the only survivor. Now slightly hearing impaired, he can’t live without the music blaring in his ears to drown out the constant hum giving him the superhuman ability to drive a car with a single minded focus. 

His driving ability makes him a valued asset to a group of bank robbers lead by a daring fast talking crime boss named Doc (Kevin Spacey) who coerces Baby to work for him using his talent to get them out of sticky situations.

The songs drive the film in such a way that the audience hears what Baby hears through almost the entire film and the results are fascinating and exhilarating, putting us right in the driver’s seat.

Baby Driver makes a pit stop at a roadside diner where Baby hangs out when he’s not driving just long enough to develop a quick love relationship with an attractive young waitress, Deborah (Lily James), he has his eye on. When Baby thinks he is finally free to leave his criminal past behind and make an honest living to be with his new love, Doc has other plans for him which he cannot refuse. 

A kid who wants use his remarkable talent to break from his past to be with the woman he loves is not that new a concept. Movies like Punch Drunk Love (2002) come to mind, but what makes this film unique is it’s blending of genres like the heist crime thriller with a unique musical slant. Here Punch Drunk Love meets Drive (2011) but with more action, humor and music.

British director Edgar Wright, well known for his hilarious send ups of other genres with films like Hot Fuzz (2007), Shaun of the Dead (2004), Scott Pilgrim vs. The World (2010) and The World’s End (2013), does it even more successfully here while raising the bar for all future action films and creating an instantly memorable film that will have audience’s jaws dropping and heads bopping to the beat.

Don’t miss this insanely stylish and enjoyable film that’s sure to make you a Baby Driver fan when it comes to cinemas June 28.

JP