After the Storm

Hirokazu Kore-eda, a vital voice in Japanese cinema, known for his emotionally distressing family dramas – Nobody Knows (2004), Still Walking (2008), I Wish (2011), Like Father, Like Son (2013) and Our Little Sister (2015), champions the everyday struggles of regular working class people and especially the complex family relationships between children and their parents.

After the Storm is a quietly desperate and darkly humorous portrait of a lower class Japanese family struggling with divorce, separation, financial uncertainty, and society’s expectations. 

Ryota (Hiroshi Abe), who has the charmingly disheveled looks and manner of a Japanese version of Hugh Grant, is a divorced novelist working as a part time private detective to make ends meet while keeping tabs on his estranged wife and son. He must come to terms with his failed marriage while competing for his son’s affections with his ex-wife’s new fiancé.

After achieving early success with an award winning novel in his youth, his family and friends keep mocking him for his lack of ambition and keep asking him when his next novel will come out. But as he struggles with midlife crisis looking back on his failed career as a novelist, his mother (Kirin Kiki) reassures him that great talents often bloom late in life.

Behind on the rent and his alimony payments due to his reckless gambling addiction, Abe’s Ryota gives an endearingly comic performance of a man-child, revealing a parent awkwardly struggling to bond with his son Shingo (Taiyô Yoshizawa), while trying to step-up and mend his reputation as a father by buying him expensive gifts he can’t afford.

We follow Ryota on his daily grind as he gambles and participates in shady extortion schemes to stay financially afloat. Sensitively told with delicate performances that speak volumes, the film visually immerses us in authentic lived-in locations filmed in tight intimately detailed spaces giving us the tactile feeling of a typical close-knit Japanese urban life. 

Visionary auteur Kore-eda knows how to get subtle nuanced moments out of his actors and is able to vividly unveil a human tenderness and understanding of such depth and power that it harkens back to the neorealism of Italian cinema showing regular people suffering with painful universal family issues.

When a typhoon (storm) hits Japan while visiting his mother, Ryota and his son and ex-wife Kyoko (Yôko Maki) are forced to spend the night together in her small ancestral cozy apartment, the close quarters allowing for a chance to remember the old family bonds that were lost after the divorce and confront their family failings.

After the Storm is a contemplative yet heartwarming optimistic experience that effectively deals with bitter generational human issues with a humor and insightfulness that everyone can relate to and will resonate with a wide audience of all cultures and classes.

JP

Lion

Lion is the profoundly moving true-life story of Saroo, a five year old boy living in a remote Indian village with his mother and siblings who is lost and separated from his brother one night while scavenging a railway station. 

After falling asleep from exhaustion on an empty train, Saroo finds himself being whisked away across India for thousands of kilometers to the chaotic city of Kolkata. Illiterate and unable to speak the Bengali language spoken by Kolkatans, Saroo had no idea where he ended up, or how to get back to his home. 

Surviving on the hazardous streets by himself for weeks while running from various unlawful fraudsters posing as kind Samaritans, he is finally taken to a crammed orphanage where he is eventually adopted by an Australian family and taken half way across the world to live with his adoptive parents John and Sue Brierley in Tasmania.

Based on his actual experiences, the movie follows Saroo Brierley on his incredible journey which he wrote about in his memoir A Long Way Home.

After growing up in a well to do middle class western family for the next 25 years, Saroo who now speaks English with an Aussie accent, can’t stop thinking about the family he left behind, and what they must be going through after his disappearance.  

After all, Saroo was not a runaway or abused by his family like many other children who end up on the streets. Saroo came from an impoverished but loving family who must have been extremely worried, wondering what had happened to him. 

Now much older and seeking his true identity, he decides to find out if he can retrace his steps back to where he came from and find his lost family using only his memories as a 5 year old, and a groundbreaking new satellite mapping technology called Google Earth.

Lion is a harsh but hopeful tale with a power and purpose that pays off big at the end of the film. We are treated to arresting aerial photography of some of India’s sweeping landscapes by cinematographer Greig Frazer who also lensed Zero Dark Thirty (2012) and Rogue One: A Star Wars Story (2016).

Lion feels much like a documentary that takes place in and around the maelstrom of India’s swarming streets and railways stations known for its dangerous and deadly accidents. 

The performance by the young non-professional Sunny Pawar who plays Saroo at age five is mesmerizing and note perfect. The supporting portrayals by Nicole Kidman as his adoptive mother and Dev Patel – Slumdog Millionaire (2008) – as the older Saroo are also excellent but Sunny Pawar’s stunning and charming performance steals the show and clearly carries most of the film.

Making his feature film debut, Australian born commercial director Garth Davis skillfully relies on the power of the striking images to tell the inspiring story and allows his actors to convey the heartfelt realism of Saroo’s experiences.

Winning the runner up prize for the People’s Choice Award at the Toronto International Film Festival last year, Lion found a passionate audience and is well worth seeing in any season. 

Oscar buzz aside, allow the magic of this inspirational gem to take you on an unforgettable emotional journey you won’t soon forget.

JP