World War Z

Zombies, long a cult favorite, have finally made the leap into mainstream cinema. Not being a fan of horror films, I have mostly avoided the zombie craze that has been infecting our cinemas and televisions. No longer a zombie virgin, I recently watched two zombie based mainstream films; Warm Bodies (2013), a romantic teen zombie comedy just out on video, and World War Z (2013). 

After cutting my teeth on zombie lore with Warm Bodies, I was ready for a more epic zombie picture. World War Z was just the ticket. Grounded more in the alien invasion genre, it’s an exhilarating blend of Steven Spielberg’s War of the Worlds (2005), Steven Soderbergh’s Contagion (2011) and Battle: LA (2011).

Based loosely on the novel by Max Brooks, the film wastes no time throwing us into the middle of a vicious global viral outbreak. If you’re not a predator, you’re the prey. The concept is quite scary; once bitten the virus kills the human host and takes over the body within 12 seconds, ready to infect others. What could be scarier than rabid swarming corpses attacking everyone in sight like locusts and spreading the virus faster than you can run from it, pushing humanity to the edge of extinction?

Brad Pitt plays a retired UN investigator with experience working in war zones, forced out of retirement to help find the source of the zombie plague.  To ensure his family’s safety, he must travel to far-flung reaches of the world, where there are small pockets of precarious humans fending off the manic zombie hordes. 

The speed at which the virus spreads is what keeps our eyes glued to the screen throughout the entire film. Both attractive and repellent, it’s a stunningly photographed depiction of the horror of an ugly enemy, which was once human just moments before, is what makes this film so engaging to watch.

Filmed in Malta, Budapest and other fascinating locations around the world the movie is truly epic in scope, taking us to Korea, the streets of Jerusalem, on board aircraft carriers in the pacific, and various international airport runways.  The movie is as realistic and detailed as a documentary, raising the bar for future epic scale apocalyptic visions. 

Director Marc Forster keeps the sentiment to a minimum and before long people are running through the city streets to escape an unknown deadly threat that could be terrorists, aliens or Godzilla. More than a zombie film, this breakneck action thriller, owes its inspiration to such recent global disaster films as District 9 (2009), Contagion (2011), War of the Worlds (2005) and Battle: Los Angeles (2011).

One of the main complaints by hardened fans of the zombie genre is that there’s not enough gory, hand to hand fighting, but I think that leaving the gore to the imagination makes the story more suspenseful and accessible. 

Shot with a mix of wide panoramic vistas and a documentary point of view style similar to Battle: LA, and Cloverfield (2008), director Marc Forster, who also made the film adaptation of the hugely successful book The Kite Runner (2007) and Monster’s Ball (2001), puts us into the action as it happens, which adds to the tension and horror of the situations.

Brad Pitt does a credible job of realistically portraying someone whose basic instinct to survive and protect his loved ones from an epidemic that is consuming everyone around him, we can all relate to.

You don’t need to be a fan of walking dead films to enjoy this adrenaline induced, white knuckle ride, but for hardcore horror fans that are looking for a gore fest, this may not be the film for you.

JP

Blancanieves

Olé! A silent fairy tale that trumps any loud summer blockbuster with its seductive beauty and emotional storyline, this inspired marvel takes place in 1920s Seville, a classic period in Spain’s bullfighting culture, and is a mythic, operatic vision that harkens back to the golden age of Hollywood. 

A legendary matador, Antonio Villalta, takes on six bulls in a series of matches at the Seville bullfighting arena, while his adoring pregnant wife looks on. In the final round his concentration falters and he is gored, sending his shocked wife into premature labor.  While in hospital, both husband and wife undergo medical procedures. When the injured Torero awakens he discovers that he is paralyzed for life and his wife has died during childbirth. Only his newborn child, Carmencita, has survived.

The power of fairy tales on film is evident in this passionate tragic rendition of the brothers Grimm’s Snow White, using characters inspired by Bizet’s Carmen and Tod Browning’s Freaks (1932), Pablo Berger’s Blancanieves (2012), which played at the Toronto International Film Festival last year, is a work of art in its own right. 

The grief-stricken husband eventually re-marries an opportunistic diva nurse, Encarna, played by Maribel Verdú of Y Tu Mamá También (2001), and the child is sent to be raised by her loving grandmother in the Andalusian countryside. While there, she is happy but wonders about and longs for the father she has never met.

This inventive and visually alluring film has the seven dwarfs as a delightful traveling sideshow act, an evil stepmother as an S&M dominatrix, and Snow White as the daughter of a famous matador and a flamenco dancer. Everyone in this film has a classic beauty reminiscent of the old Hollywood studio portraits and gives appropriate melodramatic performances so iconic of the time.

After her grandmother dies, Carmencita is sent to live with her stepmother where she is mistreated. There she meets her ailing father for the first time and they secretly foster an affectionate bond while the gold digging Encarna, spends her time dressing in expensive clothes and vainly having her portrait taken for fashion magazines.

Snow White has been the inspiration for several new films in the past year that has seen a resurgence of films based on famous myths and folk tales with Mirror Mirror (2012) and Snow White and the Huntsman (2012), and now a silent Spain/France co-production that fuses the famous children’s tale with Spain’s bullfighting culture, traditional Flamenco music and a fantastic score by Alfonso Vilallonga.

When her father dies mysteriously, Encarna has the teenage Carmen eliminated but she ends up being saved by a band of dwarf Toreros who perform in a hilarious traveling sideshow. In a Pinocchio inspired sequence, she joins the show and discovers her talent for bullfighting taught to her by her father and is soon recruited by a shady manager to perform in the big bullfighting arenas of Spain.

The poetic artistry of the silent film is making a triumphant return to cinema. The Oscar winning hit The Artist (2011) seems to have opened the door for filmmakers who love the early silent classics and want to revive this cinematic art form. If you liked The Artist, Blancanieves should definitely be on your ‘must see’ list. 

Be sure to catch this enchanting and unique film while it’s still playing in cinemas. The experience is well worth it.

JP